Monday, September 27, 2010

Miracles, Walt Whitman



Miracles

Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge
      of the water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at
      night with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer
       forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining
       so quiet and bright,
Or the exquisite delicate thin curve of the new moon in
     spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.

To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread
       with the same,
Every foot of the interior swarms with the same.

To me the sea is a continual miracle,
The fishes that swim — the rocks — the motion of the
      waves — the ships with men in them,
What stranger miracles are there?

      by Walt Whitman, Leaves of Grass, 1892 (death bed edition)

Monday, September 13, 2010

A Hand, by Jane Hirschfield



A Hand

A hand is not four fingers and a thumb.

Nor is it palm and knuckles,
not ligaments or the fat's yellow pillow,
not tendons, star of the wristbone, meander of veins.

A hand is not the thick thatch of its lines
with their infinite dramas,
nor what it has written,
not on the page,
not on the ecstatic body.

Nor is the hand its meadows of holding, of shaping-
not sponge of rising yeast-bread,
not rotor pin's smoothness,
not ink.

The maple's green hands do not cup
the proliferant rain.
What empties itself falls into the place that is open.

A hand turned upward holds only a single, transparent question.

Unanswerable, humming like bees, it rises, swarms, departs.

by Jane Hirschfield, from Given Sugar, Given Salt, 2001